Omero belongs here because the Comedy receives him both as epic auctor and as one of the visible figures of the bella scola.
Why This Split Matters
The autore page holds Homeric authority traffic; the personaggio page holds his dramatic place in the Limbo procession.
This page treats Omero as a figure in scene, not only as an inherited source.
A related autore page already exists at autore/omero.html.
Scene Note
One of the visible figures of the bella scola; poetic company matters here as much as textual inheritance.
Main dramatic corridor: Inferno 4.
Omero's room matters because he is not only the oldest epic authority in the background; he is placed inside the visible poetic company that Dante makes us see.
Room Shape
- Room kind · Autore-Personaggio
- Corridor · Limbo
- Lane · limbo_bella_scola
- Autore status · ready
Author Bridge
- Related autore room · Omero
- Autore status · ready
- Works layer mode · works_tree
- Poem text hits · 6
- Commentary mentions · 2294
Current Thickness
- Poem exact aliases · 2
- Poem role cues · 0
- Structured phrase tags · 0
- Reference-field items · 0
- Stable commentary aliases · 3
- Cue commentary aliases · 0
- Caveated commentary aliases · 0
- Ledger rows · 3
Canto Threads
- Inferno 4: Omero stands at the head of the bella scola, so the room begins from visible rank and scene-presence.
- The room stays thin on direct poem aliases, but commentary traffic keeps Homeric authority pressure alive behind the scene.
Related Works
- Iliad · 0 branches
Aliases
This figure already has a stable alias core strong enough to expose directly in the personaggio room.
Poem-layer exact aliases: poeta, omero
Commentary-layer aliases: Omero, Omerus, Homer
Commentary-layer cue aliases: none
Commentary-layer caveated aliases: none
Alias Ledger
Already frozen in stable aliases
- Omero · Primary Italian/poem-layer naming for the figure in Limbo.
- Omerus · Latinized commentary naming already stabilized in the atlas.
- Homer · Stable translingual commentary form for the same room.